This exhibition is the first to critically examine O'Keeffe's paintings, drawings, and pastels of urban landscapes while situating them in the diverse context of her other compositions of the 1920s and early 1930s. The exhibition establishes these works not as outliers or as anomalous to her practice but rather as entirely integral to her modernist investigation in the 1920s-abstractions and still lifes made at Lake George in upstate New York and beyond and works made in the Southwest beginning in 1929. O'Keeffe's "New Yorks" are essential to understanding how she became the artist we know today.